Case Study – Teaching Writing for the Stage in a socially distanced, blended and (sometimes) asynchronous environment

College
College of Arts, Social Sciences and Humanities
School / Department
Lincoln School of Creative Arts
Start and End Dates (where applicable)
July 2021
Innovation Case Study Categories
Case Studies - Academic Experience
Case Studies - Learning environment
Case Studies - Student Engagement / Student As Producer

Asynchronous Learning

The aim of Asynchronous learning in the ‘Writing For The Stage’ module was to replicate workshop content without the presence of the tutor. Due to COVID-19 restrictions, a workshop group of fourteen needed to be split into two groups to meet room capacity restrictions. This required some content to be delivered asynchronously, via blended delivery and in a socially distanced manner when face to face. The aim was to create meaningful, engaged and stimulating content for helping to generate, redraft, critique, and situate/understand ‘Writing for the Stage’.  

Asynchronous Tasks: Self-Reflection

Early workshops for the module were geared towards responsive and instinctive tasks on stimuli. To help students develop a system of instinctive drafting with more reflective redrafting (a method of approach that could be applied to the assessment process) students were then set more reflective, asynchronous tasks. This included…

  • Responding to synchronous content (See images 1 + 2 below)
screenshot showing a wordcloud and poll link that was used in relation to the self-reflection asynchronous task the author of the case study refers too early into the case study.
  • Reviewing example scripts. Reviewing the example script at different stages of the drafting process (see image 3).

Workshop: Socially distanced learning

Workshop content, (which was only to return to face to face from week 4 onwards) considered the ways in which live performance can use unspoken communication to help communicate with audiences. This included replacing text with gesture, exploring the proximity of performers within a performance space, and lighting impact on atmosphere, narrative and location.

Impact and Student Responses

The approaches allowed for the smooth transition of physical workshop content to blended/socially distanced learning. Students had the following to say about the module:  

Being able to creatively explore my own idea with as much free reign as I like”   “Feeling like part of a team of writers, not left on my own to simply go at it alone”

“My favourite part was experimenting with the lighting” 

“Trialling the play in workshops”             

“Just a thank you for making this module still very accessible in combined online and face-to-face learning”

(Data taken from the Module Evaluation Surveys)